Research Interests:
Interrelationship between textuality and visuality; oscillation between fiction and reality; phenomenology of spectatorship; Soviet cinema; Russian avant-garde movement; literary theory; film theory; medium theory.
Interrelationship between textuality and visuality; oscillation between fiction and reality; phenomenology of spectatorship; Soviet cinema; Russian avant-garde movement; literary theory; film theory; medium theory.
M.A. in Russian Literature, Hankuk University of Foreign Studies, Russian Literature, 2020
B.A. in Russian Studies Hankuk University of Foreign Studies, 2017
Exchange student in St. Petersburg State University, 2015
Dasom, K. “Aesthetics of Connection: Dziga Vertov’s Film Theory and Man with a Movie Camera,” 2020 (Master’s thesis)
Dasom, K. Bora, C., “Andrei Bitov’s “The Inevitability of the Unwritten”: A Game with the Writer in the Mask of a Translator,” Korean Journal of Russian Language and Literature, Vol. 30, No. 4 (December 2018): 65-94.
“People Woven by Texts: Ryuske Hamaguchi’s Drive My Car (2021),” AATSEEL, Las Vegas, US, February 2024.
“Lines of Operations: From Dziga Vertov’s One Sixth of the World to Man with a Movie Camera,” ASEEES, Philadelphia, US, October 2023.
“Aesthetics of Connection: Dziga Vertov’s Film Theory and Man with a Movie Camera,” Annual Joint Conference organized by four Korean Scholarly Societies, Seoul, Korea, October 2019.
“Activity and Inactivity: Marion Dixon’s Body Techniques in Circus,” Annual Joint Conference organized by Four Korean Scholarly Societies, Seoul, Korea, October 2018.